“New technologies, including digitisation of film prints, have cut the cost of recording, storing and copying of films for distribution. Risks involved in leaking and piracy have also increased manifold,” said Lavin Hirani, Head of Legal Affairs, Red Chillies Entertainment.
“Unfortunately, these technologies are not enough to protect the clandestine recording of pirated versions — done 90 per cent of the times with a camcorder or high-quality mobile camera in a low-light setting of a cinema theatre, or from the projector room,” Hirani said.
There is also the recent prevalence of pirated versions of Indian films swarming the market and the Internet a day or two before their actual release, since distributors opt for a simultaneous global screening, which requires the dispatch of prints some 10-12 days in advance.
“Some territories like in the UAE, they release films a day prior to the Indian release date — which is typically a Friday. This is one of the reasons why a film is leaked before its actual release,” he added.
Rajkumar Akella, Chairman of the Anti Video Piracy Cell, Telugu Film Chamber of Commerce, echoed a similar line of thought.
“Earlier, one odd film would get accidentally leaked before release date. But these days, pre-release piracy leaks have become a recurring feature, which is very alarming for the industry,” Akella told media.
What then is the solution?
Anurag Basu told WIPO that people need to understand piracy is a crime. The state blocks Web sites that allow downloads of pirated films, which is good. This apart, DVD versions must be available within a week or two after the formal release, as a wait of three-four months is a bit long.
“Piracy is working because people can buy a (pirated) DVD for Rs 100 and a whole family can watch it. We have to offer that kind of entertainment at that price. It has to be as easy to get an original DVD as it is to get a pirated one,” he said.
Hirani said there’s no single method or step. “Possible measures would require concerted efforts by all stakeholders, including the state and central governments which lose tremendous amount of money in taxes from the sale, distribution and exhibition of films.”